When the melodic minor scale is played in descending order, the notes of the scale are same as the natural minor scale. Melodies in minor keys often use this particular pattern of accidentals, so instrumentalists find it useful to practice melodic minor scales.The melodic minor scale raises the 6th and 7th notes of the natural minor scale by a half step when playing in ascending order. 1:C 2:D 3:E 4:F 5:G 6:A 7:B 8:C (The first note is C, the second is D, and so on.) Then we check the formula for the natural minor scale: 1, 2, 3, 4, 5, 6, 7, 8 Now we apply the formula for the minor scale to major scale notes: First note doesnt change its just 1, so C. (Please see Beginning Harmonic Analysis for more about this.) In the melodic minor scale, the sixth and seventh notes of the scale are each raised by one half step when going up the scale, but return to the natural minor when going down the scale. Harmonies in minor keys often use this raised seventh tone in order to make the music feel more strongly centered on the tonic. The harmonic minor scale raises the seventh note of the scale by one half step, whether you are going up or down the scale. ![]() ![]() There are two other kinds of minor scales that are commonly used, both of which include notes that are not in the key signature. A Melodic Minor Scale Descending in the Tenor Clef What is the Key Signature of A Minor Every minor key has a key signature, just like the major scales. They contain only the notes in the minor key signature. The melodic minor scale is sometimes referred to as jazz minor scale or Ionian b 3. For example, to convert C Natural Minor into C Melodic Minor, simply raise the Ab and Bb a half step to A and B. The cells in orange are the notes that belong to the A melodic minor scale (A, B, C, D, E, F, G) the cells in blue are the root and the thirds from that root. To hear some simple examples in both major and minor keys, see Major Keys and Scales.ĭo key signatures make music more complicated than it needs to be? Is there an easier way? Join the discussion at Opening Measures.Īll of the scales above are natural minor scales. To convert a natural minor scale into melodic minor, raise both the sixth and seventh notes by a semitone. Music that is in a minor key is sometimes described as sounding more solemn, sad, mysterious, or ominous than music that is in a major key. So you can't, for example, transpose a piece from C major to D minor (or even to C minor) without changing it a great deal. Music in minor keys has a different sound and emotional feel, and develops differently harmonically. But music that is in D minor will have a different quality, because the notes in the minor scale follow a different pattern and so have different relationships with each other. ![]() It can be used to solo over just about every chord type, including m7. (See Beginning Harmonic Analysis for more on this.) So music that is in, for example, C major, will not sound significantly different from music that is in, say, D major. One of the most important scales you can learn as a modern guitarist is melodic minor. In each major scale, however, the notes are arranged in the same major scale pattern and build the same types of chords that have the same relationships with each other. Major 2nd: The 2nd note of the scale is A. Melodic G Minor Scale Intervals Tonic: The 1st note of the G melodic minor scale is G. ![]() The descending formula is the natural minor scale formula backwards. Each major key uses a different set of notes (its major scale). The formula for a melodic minor scale is W-H-W-W-W-W-H.
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